pgh13 said:
I never understood why the UK sucked consumers into/manipulated them into dead technologies like SD widescreen in the first place ;) The US and Japan already had HD at that time and it was only the ad agencies in the UK that ultimately got broadcasters fully into SD 16:9. Saying that, I actually liked the PAL+ transmissions
on Channel Four way back in 1687.
Ah, the benefit of hindsight. SD widescreen might well be a dead technology now, but, HD is only just becoming a realistic and affordable proposition for broadcasters and consumers alike.
I still find it odd that at Circuit City in the USA you can purchase a 4:3 tube HDTV? and that Warner Cable has an imbalance of programming in 720p. So are they any more advanced than the UK? I'd say enjoy the black and white and wait for colour ;-)
Back in the UK - SD widescreen is
still totally underused/abused within its ratio - Content Makers' continue to poorly re-version 4:3 archive material AND what the hell SKY News are doing beggars belief. Worse is my mate who will insist on squeezing a 4:3 picture into a different shape. Folks this is not 16.9 as it was meant to be!
And, as pgh13 points out, it WAS those ad buggers who demanded SD w/s for their ads. Not that half of 'em frame anything properly.
Back to the post, SD w/s was a fine solution at the end of the last century: unlike PAL+ a decade earlier. PAL+ was only interesting if you could workout what was going on with the hidden w/s info in the letterbox., hehe.
SONY demo'd analogue HD at the same time the EU was trying to be clever with PAL+ (wasn't the project called Eureka!). Whatever, the problem was that there was neither a viable transmission method nor was there any consumer kit - (that alongside PAL+ being pushed which did have kit- Confused?)
Time travel: Magaret Thatcher still didn't die, Mungo Jerry re-entered the German charts, and then ........
... comes MPEG2. It could do what PAL+ failed to deliver/do/inspire and, as MTV later pioneered, it allowed you to transmit 12 channels for the price of one.
So, when you want to speak of dead-in-the-water technology - you might want to thank PAL+ for the emergent love of SD w/s and the mainly American desire to make a fook load of money by maximising channel abundance as opposed to maximising quality.
This is how EU telly evolved. Unlike, Japan, the US and South Korea which decided to blaze ahead with the real thing.
So here we are and after only a few short years the latest (available) generation of the MPEG family will allow SKY to transmit 9 HD streams for the price of one olde-worldy MPEG2 one: even if SKY News is currently making a mockery of the 16.9 format whether its HD or not.
pgh13 said:
let the suckering continue....been looking at 32in LCD of late (yes I know!) and am amazed at the number of sets claiming to be HD ready that don't have Freeview tuners - I know the 2 aren't related, but the attitude seems to be "sod today's technology; here's tomorrow's" Also, there seems to be quite a premium for a Freeview equipped set which costs maybe £5 to fit at the factory
Maybe the clue is in what you have read for yourself. Why on earth would you want an HD ready LCD with a built-in Freeview decoder. Barmy lack of understanding of HD enacted to the letter. IMHO low res inputs on an LCD look shyte. LCD's shine at high resolutions. So, you want to suffer urgghh quality for five years and hope that that built-in decoder becomes HD compatible - fine. I wouldn't.
Surely, a wise man buys a monitor and a STB?
Off on a track - this is topical for me only because I do not want to render anything in my house (under the Telegraphy Act of 1435 (reg (a) 132)) to be "a device made ready for the reception of television programmes, with or without sound" or as the Television Without Frontiers Directive (proposed) now likes to call 'programmes' - "Audiovisiual Media Services". You can hide a USB DVB-T stick - you can't hide a 32" LCD MONITOR ;-) LOL.
Have Fun,
Mark.