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Free To Air Gems
Classic films in english on arte hd
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<blockquote data-quote="Rutep" data-source="post: 1133082" data-attributes="member: 415895"><p><a href="https://translate.google.com/" target="_blank">Google translate :</a></p><p></p><p>"Idomeneo, King of Crete" by MozartAix-en-Provence Festival 2022</p><p>Prisoner of a promise made to Neptune, King Idoménée is faced with a cruel dilemma... From the Théâtre de l'Archevêché, the most romantic of Mozart's operas, staged by Satoshi Miyagi and conducted by Raphaël Pichon, with the soprano Sabine Devieilhe, promises to be the lyrical event of the 2022 edition of the Aixois festival. As the Trojan War has just ended, the Cretan sovereign Idomeneo has set sail to return to his kingdom, where his son Idamante is waiting for him. The latter holds captive the Trojan Ilia, daughter of King Priam, whom he saved from death. Both have fallen in love, to the great despair of Electra, who dreams of winning the heart of the young prince. Caught in a fierce storm, Idomeneo promises the god Neptune that he will sacrifice the first man he sees on the ground if he escapes shipwreck. When he arrives safely, it is Idamante, his own son, who comes forward to welcome him...</p><p>Auspiciousness</p><p>Considered the first of Mozart's mature operas, Idomeneo, King of Crete was born under the best auspices. For his creation, in 1781 at the Cuvilliés Theater in Munich, the Austrian composer benefited from a host of outstanding performers: the best orchestra in the world, it was said at the time, but also singers, a choir and exceptional ballet dancers. . However, Mozart's first great operatic success – inspired by the ancient myth of Idomeneo, popularized by a tragedy by Crébillon in 1705 – is far from being the most represented on world stages. On display for only the third time at the Festival d'Aix-en-Provence, it is emerging as the unmissable event of the 2022 edition. After Requiem, in 2019, the charismatic Raphaël Pichon will once again conduct the orchestra and the Pygmalion choir in the courtyard of the Théâtre de l'Archevêché, providing an unparalleled setting for a brilliant vocal set, from tenor Michael Spyres (Idoménée) to soprano Sabine Devieilhe (Ilia), mezzo-soprano Anna Bonitatibus (Idamante ) to soprano Siobhan Stagg (Electra). On the strength of his triumphs at the Avignon Festival (Mahabharata in 2014 and Antigone in 2017), Satoshi Miyagi, who is making his European debut there as an opera director, promises to intertwine the romantic echoes of ancient Greece and the visual aesthetic of contemporary Japan in a production that promises to be memorable.</p></blockquote><p></p>
[QUOTE="Rutep, post: 1133082, member: 415895"] [URL='https://translate.google.com/']Google translate :[/URL] "Idomeneo, King of Crete" by MozartAix-en-Provence Festival 2022 Prisoner of a promise made to Neptune, King Idoménée is faced with a cruel dilemma... From the Théâtre de l'Archevêché, the most romantic of Mozart's operas, staged by Satoshi Miyagi and conducted by Raphaël Pichon, with the soprano Sabine Devieilhe, promises to be the lyrical event of the 2022 edition of the Aixois festival. As the Trojan War has just ended, the Cretan sovereign Idomeneo has set sail to return to his kingdom, where his son Idamante is waiting for him. The latter holds captive the Trojan Ilia, daughter of King Priam, whom he saved from death. Both have fallen in love, to the great despair of Electra, who dreams of winning the heart of the young prince. Caught in a fierce storm, Idomeneo promises the god Neptune that he will sacrifice the first man he sees on the ground if he escapes shipwreck. When he arrives safely, it is Idamante, his own son, who comes forward to welcome him... Auspiciousness Considered the first of Mozart's mature operas, Idomeneo, King of Crete was born under the best auspices. For his creation, in 1781 at the Cuvilliés Theater in Munich, the Austrian composer benefited from a host of outstanding performers: the best orchestra in the world, it was said at the time, but also singers, a choir and exceptional ballet dancers. . However, Mozart's first great operatic success – inspired by the ancient myth of Idomeneo, popularized by a tragedy by Crébillon in 1705 – is far from being the most represented on world stages. On display for only the third time at the Festival d'Aix-en-Provence, it is emerging as the unmissable event of the 2022 edition. After Requiem, in 2019, the charismatic Raphaël Pichon will once again conduct the orchestra and the Pygmalion choir in the courtyard of the Théâtre de l'Archevêché, providing an unparalleled setting for a brilliant vocal set, from tenor Michael Spyres (Idoménée) to soprano Sabine Devieilhe (Ilia), mezzo-soprano Anna Bonitatibus (Idamante ) to soprano Siobhan Stagg (Electra). On the strength of his triumphs at the Avignon Festival (Mahabharata in 2014 and Antigone in 2017), Satoshi Miyagi, who is making his European debut there as an opera director, promises to intertwine the romantic echoes of ancient Greece and the visual aesthetic of contemporary Japan in a production that promises to be memorable. [/QUOTE]
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